I like the one on the left better - the shadow next to her nose on the one on the right bugs me a little bit.
However, I would have liked to see more of the shadow on the wall or less of the shadow on the wall, not just half a shadow - either make it a part of your composition, or eliminate it. It could work well as an intimidating, bigger-than-the-subject shadow for a super-wide, spotlit shot, or you could eliminate it.
Be careful with what you put in the corners on a portrait when you are shooting wide - the stretch on the basketball would be a little confusing to some.
1 comment:
I like the one on the left better - the shadow next to her nose on the one on the right bugs me a little bit.
However, I would have liked to see more of the shadow on the wall or less of the shadow on the wall, not just half a shadow - either make it a part of your composition, or eliminate it. It could work well as an intimidating, bigger-than-the-subject shadow for a super-wide, spotlit shot, or you could eliminate it.
Be careful with what you put in the corners on a portrait when you are shooting wide - the stretch on the basketball would be a little confusing to some.
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